2BD

SuGar Yoshinaga, Yumiko Ohno

"2BD is an experimental electronic pop duo of Yumiko Ohno and Sugar Yoshinaga. Their minimalist composition and musicality, which does not rely on drum beats but focuses more on the uplifting sensation and groove of electronics, proposes a new way of pop music."

- Via Bandcamp

Newest project from SuGar Yoshinaga & Yumiko Ohno, longtime and also current members of Buffalo Daughter (2 Buffalo Daughters, if you will).  I decided to show this some love because I hadn't heard of this project, and also because Buffalo Daughter has a new album coming soon (first single "Harm No More" down below), their first full length since 2021's amazing 'We Are The Times' (which can be heard *here, separately from their main page for some reason).  Buffalo Daughter has tour dates lined up in November, so I'm assuming the TBA album release/title will be around that timeframe.  

Discovering this project was a tad bittersweet, as longtime third member/co-founder of Buffalo Daughter moOog Yamamoto appears to be absent from the band (based on their Bandcamp group photo), and while still listed as a member of the band, he isn't credited on the first released single; I'm hoping the longtime vocalist/turntablist/visual artist will hopefully still be featured on the release in some capacity (not much available online to indicate whether he is or isn't).

As for 2BD, they've currently released 4 tracks total, a 2-song EP ('New Bud In The Mud') and 2 singles afterwards ("Fractal (Winter Song)" followed by "Fire Horse").  Looking forward to more output from the duo as well as the upcoming Buffalo Daughter release.

2BD Bandcamp

Buffalo Daughter Bandcamp

2BD debut EP 'New Bud In The Mud'

Buffalo Daughter single "Harm No More"

Ice-T - Criminal Migraine

 

Ice-T (Tracy Lauren Marrow) doubtfully needs any introduction, whether you know him from his rap career, his metal project Body Count, his film career, that guy on Law & Order, or all of the above.  But you may need a reminder he's released new music, with the new double-album 'Criminal Migraine', his first hip-hop release in 20 years.  While I've never been an active listener or follower of his music, I actually decided to check this out because I saw Smoothe da Hustler was featured on a few tracks, a name I recognized instantly as he has a feature on Nine's 'Cloud 9' album ("Make or Take"), which depending on what day you ask me I think is my favorite hip-hop album ever.  

My main takeaway from this album is I should've checked out Ice-T sooner, because even at 68 years old this (double) album at 24 tracks puts a lot of modern mainstream or otherwise rap to shame, and with 1 maybe 2 tracks I didn't overly dig that's still an amazing achievement.  Much like the Slick Rick album last year, 'Criminal Migraine' really caught me off guard for how good it is.  It'd be understandable if you hadn't heard it either, as he released it exclusively on his website and supposedly it isn't available on any streaming services (I don't use Spotify so not sure if it's there)...just a diamond waiting to be dug from the void.  The double-album is also digital-release only currently, with vinyl (and I assume CDs?) coming out on Fat Beats in December...which I might have to snag because I also dig the cover art.

Listen/Purchase

Minimal Compact - Deadly Weapons

Rami Fortis, Berry Sakharof, Samy Birnbach, Max Franken, Malka Spigel  

Minimal Compact were an Israeli band (aside drummer Max Franken) associated with the post-punk movement, especially with what is regarded as their most experimental 1984 album 'Deadly Weapons'.  I discovered this album during another recent discovery of the band Opus Kink (from Brighton), after a user-comment was made on their Youtube single for sounding similar to this band (also recommend checking that full-length debut album out, especially for the referenced single, "Come Over, Do Me Wrong" as well as "Crucify!").  After listening to the comment-linked single, "Next One Is Real" (video below), I sought out the album and discovered one of the more weirdly infectious and unique post-punk/new-wave hybrids I've heard.  "Next One Is Real" garnered them some radio play in US college radio stations and abroad, and alongside their following releases made them regarded as one of the only Israeli bands who had a successful touring career outside of Israel or "made it" during that period of the 1980's.  They however never did play a show in the USA.

They initially moved to Amsterdam early in their career (before 'Deadly Weapons'), but many moved back then and since, and have played extensive reunion shows exclusively in Israel (aside one reunion show in Poland in 2012) since 2008-2019.  The documentary on the band linked below will describe and showcase the band's history better than I can, which the title is a reference to their following 1985 album title 'Raging Souls'; with the documentary being released in 2002 after they were effectively done making studio albums (they however released 3 albums since 2003, only one of which features a new song, on their 2019 finale, 'Creation Is Perfect').  

Part of what makes the album work so well for me is the distinct output from the 3 singers: Rami Fortis (whose solo album 'Plonter' in 1978 is why he's regarded as one of the pioneers of Israeli punk -- also the majority of his solo releases were sung in Hebrew), Samy Birnbach (the primary singer on breakout track "Next One Is Real"), and Malka Spigel, the solo female singer/bass player in the band whose voice was a big reason they shifted to more pop-oriented dynamics later in their career.

I won't pick this apart track by track, and a lot of the songs on the (re-release) album feature remixes/remasters of unknown recording dates (to me, anyways), some of which were songs originally not on this album but were on others (such as "Babylonian Tower remix", with the original initially on their 1981 debut).  Remixes/remasters aside (like multiple variations of "Next One Is Real"), the original 9 tracks on this album have ear-wormed into my brain, largely because the album covers a wide dynamic range, further admirable that by this point in their career the whole band basically conceded guitarist Berry Sakharof was the only one who was a "musician" or was classically trained.  In this circumstance I think the "imperfection" of a lot of it is what gives it so much of its character, both to the punk and pop elements that make it somehow rigidly refined.  To re-iterate I really suggest watching the documentary below put together by Nathan Mandelbaum in 2002, to better understand the band and the finer details.  I'm also excited to check out some of their other albums both before and after 'Deadly Weapons' released...the only thing I'm puzzled by is their 2019 album being absent from their Bandcamp.

Bandcamp

Documentary

Sweet Megg - Massive Negroni

Sweet Megg (Meaghan Farrell) is a country/blues/jazz singer/guitarist who got her start playing shows around Brooklyn.  At 22 she moved to Paris to study jazz vocals, while also playing gigs across the city before coming back to New York.  Soon after she released her debut jazz album 'Under the Moonlight' in 2020, leading to a record deal based in Paris, after which she relocated to Nashville and released her first original album, 'Christine's Daughter' in 2022 (the majority of her work seems to be re-imaginings of older jazz/country/swing songs and standards, often swapping their respective genres around).  This led to two more albums in Nashville, and eventually to her touring globally with viral sensation Postmodern Jukebox from 2021-2023 (if you were on Youtube it's likely you saw one of their covers, eventually featuring a revolving door of featured musicians either doing renditions of old songs or turning modern songs into genre mashups).

Her (quartet) latest album, 'Massive Negroni' from May 2026 starts and ends with two original songs, "Right or Wrong pt.1&2", and the rest of it is covers ("re-imagining" might be more apt), such as Tom Waits, The Ink Spots, Duke Ellington, to deeper cuts like Kansas Joe McCoy.


Admittedly I'm a fairly opinionated person when it comes to covers for multiple reasons, both positively and negatively, but as this album was the introduction to her music (slight air quotes), I think it weighed more on the positive side, both by not attempting one-to-one covers and just the overall refinement of her band and voice.  Also because I'm a sucker for old timey tunes and jazz vocalists keeping that spirit alive in the "modern" era.  Without seemingly patronizing this any more than I am, probably the biggest praise I can give this album is that it has me excited to check out her original music.  I believe 4 of her 7 full length albums feature original songs (she's also done lots of compilations), so I'm excited to check those out, as well as more of her interpretations and renditions with her fellow musicians.

Bandcamp

 

Sparta - Cut A Silhouette

This.is.Sparta 

Sparta is from El Paso, Texas.  The band formed in 2001 after its three founding members (Jim Ward/guitar/vocals, Paul Hinojos/guitar, and Tony Hajjar/drums) split from post-hardcore group At the Drive-In, while Cedric Bixler-Zavala and Omar Rodríguez-López returned to their side-project De Facto, and shortly after formed The Mars Volta.  While many fans and members drew initial lines in the sand (*Cedric recently 'liked' an Instragram post of Jim's on the release of the new album, which was nice to see), I was always a fan of both/all projects.  As my blog title would suggest, TMV had a far bigger impact on me, but I was always rooting for Jim Ward and Sparta, who released back to back amazing albums with 'Wiretap Scars' and 'Porcelain' in 2002/2004.  While those are my favorites (also their only 2 albums including all 3 founding members), I would confidently say I think the band has been consistent in the quality of their albums -- including Ward's solo releases (which proliferated during an off/on Sparta hiatus beginning 2008 following their 3rd album, 'Threes', the last album Tony Hajjar contributed drums).

The band in its current iteration is a three-piece, with the newest addition being drummer Neil Hennessy in 2025 for the recently released new album, 'Cut A Silhouette', alongside Jim Ward (guitar/vocals) and Matt Miller (bass/backing vocals since 2001 following the brief tenure of bassist Erick Sanger and a constant contributor/member throughout).  

"Mouthbreather" is probably my standout favorite on the album, but the entire album is solid from front to back, and the ten tracks clocking in at 33 minutes will likely inspire repeat listens to fans new or old.

Bandcamp

H E X - II

Latest release from H E X (August 2025), the follow up to their debut album in 2018 after a 7 year gap.  This new-ish release clearly escaped my orbit, but regardless I'm happy to see more material from them.  The sound is similar but in some different directions, namely with the inclusion (& I believe replacement) of two new members: Léa Martinez (vocals) and Wladislas Marian (bass).  The album is up on Bandcamp for name-your-price featuring 4 songs (as is/was their debut), but definitely show them some love if you like what you hear (*I certainly will after I sort out my new CC).

Vinyl is available at their label Humus Records.  

You can also check out another Switzerland band featuring H E X synth player Vincent Devaud, who also contributes synth & vocals in 'Loveress', for a completely different vibe switch.

Bandcamp

Point of No Return - The Language Of Refusal

 

Point of No Return is a straight edge hardcore band from São Paulo, Brazil.  The group made waves with their debut album, 'Centelha' in 2000, followed by their 2nd full length, 'Liberdade Imposta, Liberdade Conquistada' in 2002 following a 7 month hiatus.  The band often meshes vocals in both English and Portuguese (their entire 2nd album is in Portuguese), with a prominent aspect of the band being their unique blending of three distinct singers, sometimes merging together in familiar hardcore gang vocals.  

The band played their "final" show in 2006, but has re-emerged in 2024 with their latest full-length album, 'The Language Of Refusal', a collection of songs written from 2002-2024.  They also released a new live album, 'Ao Vivo na Verdurada' in October of the same year.  The band lineup is largely the same, while adding a new vocalist & bass player in 2024 (six current members and six past members, two of which were only active during their inception in 1996).

This release was a definite unexpected surprise for me (discovering it recently), and also a good starting point for anyone looking for an oldschool hardcore itch to scratch from some very pissed off vegans.  I believe this is also the first release from them to ever be available on vinyl.

Bandcamp